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New Zune Music - Matt Schneider

May 22nd, 2007 by admin


Webpage: http://www.mattschneidermusic.com
Location: Tinley Park, IL, U.S.A
Description: Acoustic
Biography: A guitarist/singer/songwriter from Chicago, IL, Matt Schneider has developed a modest musical resume over the last few years playing in a handful of Chicago-based hard rock/metal bands during the last few years, such as Great Solar Stance, The Glass Hour, and most notably (and currently) in the hard-hitting instrumental outfit Catamount. However, it wasn’t until very recently that he began composing material designed solely for his acoustic guitar and vocals. At first, they were just bits and pieces written and recorded on an analog 4-track machine, but those bits and peices soon evolved into heavily-layered, intricate, and progressively lengthy whirlwinds containing many subtle twists and turns, both musically and lyrically. The end results were nothing short of a fresh, exciting, and blatant 180ï¾° turn in the opposite direction towards a newly found and much needed creative outlet.

Over two years in the making, his first solo album, “Premature Unconsciousness,” offers a compelling glimpse into the future of Matt’s solo endeavors and takes the listener on a soothingly melancholic journey into the cracks and lines of the psyche that are too often dwelled upon, but are nonetheless essential for everyday human existence.

Press
Release:
Review from EarBuzz.com:

No doubt, Stephen Stills and co. would be proud of Matt Schneider. As would Robert Frost, William Ackerman, and Buddha. For Schneider, in his acoustic guitar and lyrical mastery, combines the harmonies of CSN in an abstract manner that is nearly a spiritual chant, with poetry that combines opposing ideas and speeds them crashing into each other at break-brain speeds. Wonderful stuff here and truly unique/artistic. The CD contains 7 tracks that are a musical and spiritual journey - beginning with track 1 - the instrumental introduction to Schneider’s unassuming an technically proficient composing on acoustic guitar, “Enlighten Confusion”. Schneider plays hard - hits the strings with force - from single line melody to chordal extended and open strumming - and the passion bleeds through the recording. His lyrics are genuine and intelligent. In “Descent of Origin”, he hints at the opportunity within the discarded ancestry, ‘this pathetic foreign namesake leaves an abundance of greater possibilities’. The lyrics are sung with harmony - but the melodic line verges on the syncopated and dissonant. There is overlapping lines in tracks like, “Below”, that is almost like a musical Robert Altman in the interaction of voices. Schneider establishes himself as an artist with a compelling and innovative collection of music.

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